(Right click… save as)
It’s Episode 113 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week we begin by discussing the recently-announced recipients of this year’s Honorary Oscars, which leads us to several Oscar-related issues of the past, including the 1937 Best Actress race and the much-maligned Best Picture winner of 1941. Masculinity is alive and well, as Guy Pearce exercises badass tendencies in David Michod’s “The Rover,” which, thankfully for Pete, Jacki Weaver was absent from, while the talent on show in Scandinavian crime drama “The Keeper of Lost Causes” had Cal clamouring for more. By contrast, there are reviews of two films from female directors, with Gillian Robespierre’s indie comedy “Obvious Child” tackling the tricky subject of abortion, and Kelly Reichardt’s “Night Moves” deconstructing the folly of environmental activism. Pete walked out of the latter at Venice and did not turn back, but tune in to find out whether he managed to finish it at the second time of asking. Meanwhile, Cal has much to say about the sexual politics in John Slattery’s “God’s Pocket,” Pete dictates when co-incidences in film scripts are acceptable, and we bitch about a particularly unwelcome trend in world cinema. Elsewhere, Cal is baffled by a bizarre Robert Pattinson car sing-a-long, there’s a rare shout-out for a former co-star of Dakota Fanning, and there is some serious trepidation in advance of next week’s trashy-looking Rowan Joffe thriller.
- The Academy announces the recipients of this year’s honorary Oscars
[3:10 – 13:50]
- Night Moves
- Obvious Child
- The Keeper of Lost Causes
- God’s Pocket
[25:35 – 1:04:00]
Closing Segment: Our take on David Michod’s revenge thriller “The Rover,” starring Guy Pearce and Robert Pattinson!
[1:04:05 – 1:17:50]
The Isaac Range
Outro Music: Keri Hilson, “Pretty Girl Rock”
Episode 98: Winners & Losers
(Right click… save as)
It’s Episode 98 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week starts out sporty, as we look ahead to next month’s World Cup, and celebrate the release of new underdog football film “Next Goal Wins” by revealing our favourite documentaries about sports. After that, we get onto the week’s other releases, which include the amusingly re-titled comedy “Bad Neighbours” and Hayao Miyazaki’s period swansong “The Wind Rises,” which prompts a discussion of the greatest biopics ever made, and a face-off between “The Pianist” and “Schindler’s List”. With only three films, we have plenty of time to anticipate next week’s double-dose of Elizabeth Olsen, and venture on a host of digressions, discussing the quality of the cinema of 2004, and what exactly constitutes a “performance piece.” Elsewhere, Pete uncorks a rather vicious burn on Hailee Steinfeld, Zac Efron makes Cal feel guilty and shallow, and there’s a proposed overhaul of the segments which may see Emma and Melvil banished from the podcast. Scandal!
Opening Segment: Discussing our favourite sports documentaries, and high benchmarks for sports films in general!
[8:45 – 16:55]
- Next Goal Wins
- Bad Neighbours
[24:20 – 47:10]
Closing Segment: Our take on Hayao Miyakazi’s “The Wind Rises,” and discussing our favourite biopics, with some other random asides!
[47:15 – 1:16:00]
The Poupaud Range
Outro Music: Conchita Wurst, “Rise Like a Phoenix”