Tag Archives: cannes film festival

Episode 169: Givenchy in No Man’s Land [The Beguiled; Okja; Wonder Woman]

  

Episode 169: Givenchy in No Man’s Land
[1:23:49]
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It’s Episode 169 of In the Mood for Podcast!

This week we’re finally back with a jam-packed episode full of news and reviews! First on the agenda is Daniel Day-Lewis’ shock retirement announcement (which fails to convince) and Annette Bening ruling the roost in Venice, plus a record amount of invitations from AMPAS gets our seal of approval. There are reviews of Bong Joon-ho’s madcap fable “Okja” and Sofia Coppola’s period potboiler “The Beguiled,” while we venture into superhero territory with verdicts on Marvel’s latest spidey story “Spiderman: Homecoming” and DC’s critical and box-office hit “Wonder Woman”. Elsewhere, Gal Gadot’s pacing on the front line conjured up images of the catwalk for Cal, there’s a pitch for a Miranda July-led superhero movie, and 
Irini unforgivably mistakes Garrett Hedlund for a certain Amazonian explorer.

The week’s news: 

  • “The Square” wins the Palme d’Or
  • Daniel Day-Lewis retires from acting
  • Annette Bening to head this year’s Venice Film Festival jury
  • 774 people invited to AMPAS

[3:30 – 11:25]

Preconception Corner

Reviews of:

  • Wonder Woman                               17:45 – 26:55
  • Spider Man: Homecoming           26:56 – 32:29
  • Okja                                                       32:30 – 42:02
  • The Beguiled                                      42:03 – 54:18

Final Segment: 

  • Top Films, Performances and Moments of 2017 so far

[54:19 – 1:15:55]

Shag, Marry or Kill?

The Garrett Gauge

Intro Music: Lolawolf, “House Key”
Outro Music: Dua Lipa, “Be the One”

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Episode 168: The Garrel Grievance [Cannes Film Festival Line-Up]

Episode 168: The Garrel Grievance
[1:05:33]
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News from the Croisette lures Irini and Cal back to the microphone, as we discuss yesterday’s announcement of the 70th Cannes Film Festival lineup, featuring (among others) new films from Andrey Zvyagintsev, Lynne Ramsay, Todd Haynes, and podcast favourite Sofia Coppola. We’re also catching up with news we haven’t discussed since the last episode, chief of which is *that* infamous Oscar mix-up, plus we touch upon the surprise smash hit “Get Out” and dig into some seriously juicy female-led TV shows. Elsewhere, Irini shamelessly flaunts some national pride when we discuss one of the festival’s entries, we vehemently disagree on the virtues of the Safdie brothers, and Cal tests Irini’s patience by taking a pop at Xavier Dolan and all but killing off Michael Haneke.

News Catch Up:

  • Oscars catastrophe
  • Oscar rule changes
  • Get Out
  • Big Little Lies / Feud

[1:51 – 11:53]

Listener Question [ibbi]

Cannes Film Festival:

  • Discussing the line-up for this year’s Cannes Film Festival in May!

[16:20 – 56:25]

Intro Music: Alma, “Requiem”
Outro Music: Loreen, “Statements”

Episode 152: Naked on the Freeway [Terminator: Genisys; Magic Mike XXL; Comet]

 magic-mike

Episode 152: Naked on the Freeway
[1:13:35]
You can Listen online

It’s Episode 152 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.


This week we turn our attention to two high-profile sequels, as the James Cameron-endorsed “Terminator: Genisys” lit up cinema screens this past week, while Cal was alone for “Magic Mike XXL,” the follow-up to the 2012 stripper hit we famously (if rather predictably) disagreed on. Parallel dimensions are brought out in the Justin Long-Emmy Rossum romance “Comet,” which confused Cal and made a rather negative impression on Pete’s screening partner, plus there’s news from the on-going East End Film Festival. Elsewhere, Dustin Hoffman’s been a bit outspoken, we take some time out to celebrate a milestone for Lena Endre, and Jai Courtney’s abs are under the microscope. 

The week’s news:

  • The death of Diana Douglas                                            
  • “Everest” to open the Venice Film Festival                           
  • Dustin Hoffman attacks Hollywood                
  • Lena Endre turns sixty               
  • East End Film Festival round-up: “Containment”; “MLE”; “Norfolk”           
[3:50 – 22:53]

Preconception Corner

Reviews of:
  • Comet                                               30:30 – 45:41
  • Magic Mike XXL                            45:42 – 54:03
  • Terminator: Genisys                   54:04 – 1:05:50

Shag, Marry or Kill?
The Pootsition
The Garrett Gauge

Outro Music: Duffy, “Mercy”

Episode 147:The Birdseye Debacle [Tomorrowland; Poltergeist; Return to Sender]


Episode 147: The Birdseye Debacle
[1:18:38]
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It’s Episode 147 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.


This much-delayed episode sees us discuss last week’s big releases at the cinema, including Brad Bird’s adventure tale “Tomorrowland,” and horror remake “Poltergeist.” We also had time to chat about Rosamund Pike’s latest twisted thriller, “Return to Sender,” and Cal reveals all about Samuel L. Jackson’s “Big Game,” which had a rather ludicrous plot setup to live up to. Simon Pegg’s recent outspoken antics may have upset comic-book geeks far and wide, but his thoughts on modern blockbusters instigate a lengthy chat about the future of the industry, while the prizes from the Cannes Film Festival dredge up longstanding observations about the festival’s politics. We may only be in June, but tune in to find out which leading performance Cal has already declared the worst of the year, which fishy figurehead Nick Nolte reminded Pete of, and which lesser-known actress emerged as the star of her film.

The week’s news: Discussing some interesting birthdays in the world of film, Simon Pegg’s assault on modern studio filmmaking, and the prizes from the Cannes Film Festival!

[3:10 – 22:00]

Preconception Corner

Reviews of:

  • Poltergeist                                                   29:28 – 38:21
  • Return to Sender                                       38:22 – 50:07
  • Big Game                                                      50:08 – 56:39
  • Tomorrowland                                           56:40 – 1:08:12


Shag, Marry or Kill?
The Pootsition
The Garrett Gauge

Outro Music: Eurovision Mini-Mix (Slovenia, “Here for You”; Latvia, “Love Injected”; Greece, “One Last Breath”)

Episode 146: Wasted Heartbeats [Mad Max: Fury Road; Pitch Perfect 2; The Age of Adaline]


Episode 146: Wasted Heartbeats
[1:20:17]
You can Listen online

It’s Episode 146 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.


This week we’re back, with some post-election blues, but there are a host of birthdays from the world of cinema to celebrate, leading to digressions about the work of Richard Brooks and Frank Capra. In the wake of the on-going we take time out to discuss the conversely different reviews for Todd Haynes’ and Gus Van Sant’s new films, plus there is (already) news of the next jury president at the Venice Film Festival. As for the reviews, Cal caught up with Chris Rock’s semi-autobiographical romance, “Top Five,” and the sequel to the popular acapella tale “Pitch Perfect,” while we both saw the trailblazing “Mad Max: Fury Road” and Blake Lively’s stab at Benjamin Button, “The Age of Adaline.” Elsewhere, Christopher Doyle’s words of wisdom infiltrate their way into this week’s critiques, we lament the demise of Thora Birch’s career, there’s a rant concerning one of Charlize Theron’s upcoming projects, and Pete’s culinary limitations as a bachelor are laid bare.

The week’s news: Discussing some interesting birthdays in the world of film, and the buzz from the on-going Cannes Film Festival!

[3:10 – 17:50]

Preconception Corner

Reviews of:

  • Pitch Perfect 2                                                    27:53 – 36:19
  • The Age of Adaline                                            36:20 – 47:02
  • Top Five                                                                47:03 – 56:07
  • Mad Max: Fury Road                                        56:08 – 1:10:03


Shag, Marry or Kill?
The Pootsition
The Garrett Gauge

Outro Music: Jessie J, “Flashlight” (from Pitch Perfect 2)

Episode 144: From Maasai Mara to Agent Provocateur [Avengers: Age of Ultron; The Good Lie; The Falling]

goodlie

Episode 144: From Maasai Mara to Agent Provocateur
[1:13:25]
You can Listen online

It’s Episode 144 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.


This week there’s some festival fever, with the upcoming Cannes Film Festival generating fervour abroad, and Derby’s incarnation providing some local interest. We split the reviews segment, as Pete was there for Marvel’s huge sequel to “The Avengers” and Carol Morley’s acclaimed period drama “The Falling,” while Cal caught the gothic thriller “Stonhearst Asylum” and his favourite, Reese Witherspoon, in immigrant tale “The Good Lie.” Elsewhere, we talk about a couple of deaths in the film community, which instigates a discussion of cinematography in the early Noughties, there’s been drama on the set of the new Adam Sandler film, and the return of Greta Scacchi leads to a bit of a love-in. Tune in to discover what Xavier Dolan’s huge faux-pas might have been, which Avengers actress does not survive The Pootsition, and why Reese Witherspoon’s underwear was somewhat of an issue for Cal.

The week’s news:
  • The death of Richard Corliss
  • The death of Andrew Lesnie
  • Denis Villeneuve to helm Blade Runner sequel
  • Further Cannes Film Festival updates
  • Upcoming Derby Film Festival

[2:20 – 14:28]

Preconception Corner

Reviews of:

  • The Avengers: Age of Ultron                 22:27 – 30:54
  • Stonehearst Asylum                                 30:55 – 39:58
  • The Falling                                                   39:59 – 50:20
  • The Good Lie                                              50:21 – 1:01:34

Shag, Marry or Kill?
The Pootsition
The Garrett Gauge

Outro Music: HAIM, “Falling”

Episode 142: Age Of Consent [The DUFF; John Wick; While We’re Young]

 johnw

Episode 142: Age Of Consent
[1:34:55]
You can Listen online

It’s Episode 142 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.

We’re back after a two-and-a-half week absence with a packed lineup! As we catch up on the releases from the past fortnight, we’re reviewing five films, including the highly-anticipated new film from Christian Petzold, “Phoenix,” and Keanu Reeves’ foray into the action genre with “John Wick.” Cal reveals all about Noah Baumbach’s latest observation on the middle-classes, “While We’re Young” and Andrew Niccol’s moralistic war drama “Good Kill,” while we finish by talking about teen flick “The DUFF,” which Pete suspected that Cal would like. Elsewhere, in the wake of Thursday’s announcement of the Cannes Film Festival lineup, we assess upcoming films from Gus Van Sant, Paolo Sorrentino, and more, a listener’s rant re-instigates a costuming discussion from our last episode, and a controversial Pootsition flies narrowly close to the age of consent.

Listener question/rant [Ibbi]: Colleen Atwood vs. Sandy Powell 

Cannes Film Festival: We dig into the line-up for this year’s festival, featuring films by Todd Haynes, Gus Van Sant, Jacques Audiard, and Hirokazu Koreeda!
[10:52 – 27:52]

Preconception Corner

Reviews of:

  • Phoenix                                                         34:30 – 46:00
  • While We’re Young                                    46:01 – 52:47
  • John Wick                                                    52:48 – 1:03:12
  • Good Kill                                                      1:03:13 – 1:09:49
  • The DUFF                                                    1:09:50 – 1:23:07


Shag, Marry or Kill?
The Pootsition
The Garrett Gauge

Outro Music: Beyonce feat. Jay-Z, “Drunk In Love”

Episode 141: The Sprinkler of Sadness [Cinderella; Get Hard; Seventh Son]

Episode 141: The Sprinkler of Sadness
[1:12:25]
You can Listen online

It’s Episode 141 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.

This week’s reviews include medieval fantasy adventure “Seventh Son,” the latest incarnation of the fairy tale “Cinderella,” and Argentinian Oscar nominee “Wild Tales,” which is courting controversy in the wake of some bad release timing. Elsewhere, we discuss comedy caper “Get Hard,” which already had preconceptions reeling from Tim Robey’s assault on its homophobic tendencies, plus we chat about the horrendous title of Russell Crowe’s upcoming directorial debut feature, and the bizarre nature of Jeff Bridges’ vocal work. Meanwhile, the memory of Marlene Dietrich lives on the attire of one of this week’s performers, Ed Sheeran’s Australian exploits has Pete hoping he’ll stay there, and why is nobody mentioning the Grimm brothers’ glaring plot hole? Cal’s off to New York next week, so we’re taking a fortnight hiatus, but hopefully we’ll return with news of Pete’s first four-star film of the year.

The week’s news

Preconception Corner

Reviews of:

  • Seventh Son                                17:41 – 29:26
  • Get Hard                                      29:27 – 40:50
  • Wild Tales                                    40:51 – 48:22
  • Cinderella                                   48:23 – 1:00:32


Shag, Marry or Kill?
The Pootsition
The Garrett Gauge

Outro Music: Fiona Apple, “Extraordinary Machine”

Episode 140: The Birthday Quintet [Insurgent; The Gunman; The Voices]


Episode 140: The Birthday Quintet
[1:11:25]
You can Listen online

It’s Episode 140 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.


This week we discuss Sean Penn’s brawn in the critically-derided “The Gunman” and Ryan Reynolds’ form in the flat-out weird horror comedy “The Voices,” while the return of Shailene Woodley in Robert Schwentke’s “Insurgent” brings excitement (as does the surprise appearance of Naomi Watts), but did the Divergent sequel live up to the promise of its predecessor? Elsewhere, in the wake of the release of “Mommy” we take the opportunity to discuss the career of Xavier Dolan (leading to a Greek peace offering), we discuss the crowded Best Actor field of 2007, one of this week’s performers prompts a resurrection of the “best actress under thirty” debate, and Pete has taken to social media with his frustration at radio airplay.

Preconception Corner

A Conversation on Xavier Dolan: Discussing the filmmaker’s work thus far, in the wake of this week’s release of “Mommy”
[15:25 – 25:12]

Reviews of:

  • The Gunman                              25:13 – 33:30
  • The Voices                                  33:31 – 42:06
  • Insurgent                                   42:07 – 58:08


Shag, Marry or Kill?
The Pootsition
The Garrett Gauge

Outro Music: Seal, “Kiss From a Rose”

Episode 132: The Virtues of Ed [A Most Violent Year; Citizenfour; Ex Machina]

films27jan

Episode 132: The Virtues of Ed
[1:17:33]
You can Listen online

It’s Episode 132 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.


This week’s episode sees us catch up on last week’s excised news segment by discussing the line-up for the upcoming Berlin Film Festival, as well as the announcement that the Coen brothers will rule over this year’s Cannes jury. Elsewhere, we offer our thoughts on the shifting Oscar races in the wake of the PGA and SAG winners, before revealing our thoughts on the week’s releases which includes controversial nominated documentary “Citizenfour.” Cal was in the queue for Anna Karenina lovers Domnhall Gleeson and Alicia Vikander’s reunion in sci-fi flick “Ex Machina,” and he also had time to see Mark Wahlberg’s blackjack skills in Rupert Wyatt’s “The Gambler,” while we both settled down for the latest work from podcast favourites Oscar Isaac and Jessica Chastain, in eighties-set drama “A Most Violent Year.” Elsewhere, some random digressions test our film geek credentials, an underappreciated child performance gets us discussing the 2001 Best Actor Oscar roster, and the unexpected cosmetic virtues of a certain whistleblower tickles Cal’s fancy.

The week’s news:
  • Joel and Ethan Coen to preside over this year’s Cannes Film Festival jury
  • The full line-up is revealed for this year’s Berlin Film Festival
  • Birdman wins the PGA
  • Screen Actors Guild award winners

[1:50 – 23:05]

Preconception Corner


Reviews of:

  • Ex Machina                                                   27:55 – 36:19
  • Citizenfour                                                    36:20 – 46:16
  • The Gambler                                                 46:17 – 55:17
  • A Most Violent Year                                   55:18 – 1:05:52


Shag, Marry or Kill?
The Pootsition
The Garrett Gauge

Outro Music: Liza Minnelli + Joel Grey, “Money Money”

Episode 117: The Ballad of Pitt & Brit [Maps to the Stars; I Origins; Ida]


Episode 117: The Ballad of Pitt & Brit

[1:29:34]
You can Listen online

It’s Episode 117 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.


This week’s episode is a distinctly non-sober affair, as birthday drinks crippled Cal’s ability to function (he wants you to know that he is fully aware that Joanne Woodward is American), but we managed to get through this week’s busy line-up of films in under ninety minutes. Pete caught Denzel Washington thriller “The Equalizer” and Mike Cahill’s treatise on faith vs. science, “I Origins,” while Cal was in the queue for horror flick “Honeymoon” and had time to rewatch Pawel Pawlikowski’s “Ida.” After that, both of us weigh in on David Cronenberg’s Hollywood satire “Maps to the Stars,” featuring Cannes Best Actress winner Julianne Moore, which leads us into a discussion of women from the past who have received that honour. Elsewhere, banter about pop music shifts from Taylor Swift onto Cheryl Cole, we ponder how long George Clooney’s marriage will last, a Christie Clanger from last week is addressed, and preconceptions for David Fincher’s “Gone Girl” (reviewed next week) get laid bare.

The Week’s News:
  • George Clooney marries in Venice
  • Foreign Language Oscar submissions: Russia submit “Leviathan”; Argentina submit “Wild Tales”
  • Al Pacino receives a BAFTA Fellowship

[5:10 – 19:15]

Preconception Corner

Reviews of:
  • Ida
  • The Equalizer
  • Honeymoon
  • I Origins

[25:00 – 1:00:05]

Closing Segment: Our take on David Cronenberg’s “Maps to the Stars,” and discussing the history of Best Actress winners at the Cannes Film Festival!

[1:00:10 – 1:21:15]

Shag, Marry or Kill?
The Olsen Factor
The Isaac Range

Outro Music: Cheryl Cole, “Crazy Stupid Love”

Episode 116: The Decoy Tots [The Giver; Magic in the Moonlight; A Walk Among the Tombstones]


Episode 116: The Decoy Tots

[1:26:57]
You can Listen online
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It’s Episode 116 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.


After last week’s super-long episode, we lament Cal’s laissez faire approach to editing, but this edition managed to sail under the ninety-minute mark fairly smoothly. The Red Light District is back, as we discuss films starring Nina Hoss and Richard Burton, a dishonest Dogme flick, plus Cal’s return to awards completion gets us analysing two Best Actress Oscar races, one of which features one of the biggest snubs of all time. New releases include baseball underdog drama “Million Dollar Arm,” of which the MVP was plain for both of us to see, and Woody Allen’s “Magic in the Moonlight,” which Pete unsurprisingly snubbed. There’s also Liam Neeson thriller “A Walk Among the Tombstones,” and Philip Noyce’s “The Giver,” which Pete managed to smear in innuendo and spend forever on divulging the plot of. Taylor Swift’s presence in the film forces both of us to admit some admiration for her lyrical hand, while her likeness to a famously jilted tennis player instigates discussion of a disastrous celebrity relationship. Elsewhere, there’s a postponed Joe Wright rant from last week, Pete’s parents’ holiday snaps struggle to emulate Michael Ballhaus, and the natural charm of one of this week’s actresses leads to a new qualification in the Olsen Factor.


The Week’s News
    • Foreign Language submissions from France, Belgium, Canada, and Hong Kong

[2:25 – 8:20]


Opening Segment: 
This month’s Red Light District, featuring discussion of “Barbara,” “Elena,” “Mifune’s Last Song,” “Mourning Becomes Electra,” “Passion Fish,” “The Spy Who Came In From the Cold” and “Win/Win”

[8:25 – 23:15]

Preconception Corner

Reviews of:
  • Million Dollar Arm
  • A Walk Among the Tombstones
  • Magic in the Moonlight
  • The Giver

[29:15 – 1:12:15]

Shag, Marry or Kill?
The Olsen Factor
The Isaac Range

Outro Music: Tori Amos, “Give”

Episode 112: Plenty of Fish [Lucy; Two Days, One Night]

Episode 112: Plenty of Fish
[1:23:59]
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It’s Episode 112 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.

This week we’re returning late from a rather heavy Bank Holiday weekend, with reviews of two films featuring mega Hollywood actresses. Luc Besson’s “Lucy” is the latest film in a prolific spell for the delectable Scarlett Johansson, while Marion Cotillard returns to her world cinema roots in the Dardennes brothers’ “Two Days, One Night,” which sees us getting personal about our own ethics. Elsewhere, we discuss the career of Richard Attenborough, some encouraging news for Scandinavian cinema, and Pete reveals his decision-making behind the decoration for his new house, a quarter of which features work by perennial podcast favourite Wong Kar-Wai. The week’s digressions include a brief lament over Amy Adams’ patchy filmography, Faye Dunaway’s destructive diva period, and Andie MacDowell’s bizarre behaviour on Twitter. We talk about the popular Ice Bucket Challenge (which we’re both snubbing), the Naomi Christie accent controversy rumbles on, and the Joe Wright rant of the week features some far from encouraging words for the men of Belgium.

The Week’s News:
  • The death of Richard Attenborough
  • Susanne Bier’s “Serena” to hit UK cinemas in October
  • Pete’s decoration of film stills

[1:35 – 23:40]


Red Light District: This month’s pimping session, featuring discussion of “Coherence,” “Philomena,” “Symptoms,” “Thirteen At Dinner,” and “What’s Up Doc?”

[24:50 – 34:10]

Reviews of:
  • Lucy
  • Two Days, One Night

[39:30 – 1:12:35]

Shag, Marry or Kill?
The Olsen Factor
The Isaac Range

Outro Music: Gossip, “Get a Job”

Episode 101: The Besmirchment of Hermione [Edge of Tomorrow; Maleficent; Ilo Ilo]



Episode 101: The Besmirchment of Hermione

[1:20:23]
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It’s Episode 101 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
 
This week sees the debut review of perennial podcast talking point and all-around legend, Liv Ullmann, whose return to the screen in German Oscar entry “Two Lives” got tongues wagging, but did its tepid tale of espionage make a lasting impression on us? In the wake of this week’s Singapore film “Ilo Ilo,” we get to talking about other recent Camera d’Or winners at the Cannes Film Festival, touching on some films Pete doesn’t really like, and one in particular that he can’t get enough of. Elsewhere, only one of us saw Angelina Jolie strut her stuff in Disney spin-off “Maleficent,” and the sheer insanity of Doug Liman’s “Edge of Tomorrow” had us knocked for six. Listen, as we rue a series of missed opportunities and get into a passionate discussion about the importance of film critics, while Pete rants about the recent career choices of a podcast favourite and a former co-star of Emily Blunt gets an unexpected shout-out. Vive le Yorkshire! 


The week’s news: 

  • Ken Loach complains about critics

[5:25 – 11:25]

Opening Segment: Discussing the winners of the Camera d’Or at the Cannes Film Festival, since 2000, featuring discussion of “Reconstruction,” “Hunger,” “Beasts of the Southern Wild,” and more!

[11:35 – 21:40]

Preconception Corner

Reviews of:
  • Ilo Ilo
  • Maleficent
  • Two Lives

[29:10 – 58:05]

Closing Segment: Our take on Doug Liman’s “Edge of Tomorrow,” starring Tom Cruise and Emily Blunt!

[58:10 – 1:11:15]

Shag, Marry or Kill?
The Olsen Factor
The Isaac Range

Outro Music: The Shirelles, “Will You Still Love Me Tomorrow?”

Episode 100: Don’t Fear the Reaper [100 Films to See Before You Die]



Episode 100
: Don’t Fear the Reaper
[1:53:33]
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or Download MP3
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It’s Episode 100 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
 
As we close in on a century of episodes, our 100th is our longest yet, as we take a week off from new releases at the cinema to bring you our one hundred films you must see before you die. We take a moment to consider the people who have departed us since the podcast began, we discuss the recent winners from the Cannes Film Festival, plus the positivity continues with the latest installment of the Red Light District! Listen for discussion of films from France, Russia, Hong Kong, Greece, and more, digressions concerning Greta Garbo and Bryan Forbes, and find out which auteur Pete shockingly left out of his personal canon.


The Week’s News:

    • Cannes Film Festival prize winners

Red Light District: featuring discussion of “Once,” “The Passion of Anna,” “Skyfall,” “Sorcerer,” “The Spirit of the Beehive,” “To Paint, or Make Love” and “The Wrong Box”
[6:10 – 20:20]

Our 100 Films to See Before You Die: featuring discussion of tons of classics, ranging from “M,” to “Onibaba,” to “Titanic.”
[20:25 – 1:48:30]


Outro Music: Blue Oyster Cult, “Don’t Fear the Reaper”

Episode 99: The Changing of the Guard [Godzilla; Two Faces of January; In Secret]



Episode 99: The Changing of the Guard

[1:25:59]
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It’s Episode 99 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
 
This week marks the end of an era, as we announce who will take over from Emma Watson and Melvil Poupaud in our factor and range segments, so tune in to find out which delectable actor and actress will assume the baton. It’s a week of good cast lists, as the latest blockbuster incarnation of “Godzilla” managed to assemble a who’s who of Thespian talent (if you discount Aaron Taylor-Johnson), and we review period thriller “The Two Faces of January,” despite not having a clue why it’s titled as such. Cal goes it alone for “Concussion,” the sapphic answer to “Belle De Jour,” which Pete took as a cue to go into innuendo overdrive, while love triangle melodrama “In Secret” instigates fierce preconceptions about Jessica Lange. A recent death in the cinematography world leads to a digression about the best shot films of 1990, a discussion of anti-heroes turns into an analysis of category placement politics, plus the Huston problem rears its ugly head to plague one of our new replacements.


The week’s news: 

  • “Grace of Monaco” trashed at Cannes
  • Broadchurch wins three BAFTAs
  • The death of Malik Bendjelloul
  • The death of Gordon Willis

[4:20 – 10:55]

Preconception Corner

Reviews of:
  • The Two Faces of January
  • In Secret
  • Concussion

[19:40 – 52:50]

Closing Segment: Our take on Gareth Edwards’ “Godzilla,” and discussing the history of anti-heroes in cinema!

[52:55 – 1:13:00]

Shag, Marry or Kill?
The Watson Factor
The Poupaud Range

Outro Music: Shout Out Louds, “1999”

Episode 97: Continental Drift [Tracks; A Thousand Times Good Night; Blue Ruin]



Episode 97: Continental Drift

[1:13:28]
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It’s Episode 97 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
 
Dubbed “Mr. D+” by Pete, Cal hopes for a better run of films this week, as our slate of continent-spanning sober dramas force us to tone things down a little. We review Erik Poppe’s “A Thousand Times Good Night,” starring the ever-exemplary Juliette Binoche, but is the moral-heavy family crisis at the film’s centre worthy of her abilities? It’s been eight months since Pete saw and liked John Curran’s “Tracks” at Venice, but does Cal feel the same way about the Aussie desert quest’s quality? Elsewhere, Pete caught up with Paddy Considine-led British thriller “Honour,” while Cal opted for American indie revenge pic “Blue Ruin,” plus a listener question leads to a slew of digressions about the Cannes Film Festival’s history of politics and prize-giving. Tune in to hear our thoughts on the biggest Oscar snub of the 1980s, which Terrence Malick film receives a radical re-evaluation from Pete, and why a foolish display of canine companionship gets Cal all self-righteous.


The Week’s News:

    • The death of Bob Hoskins
    • A sequel to “Spring Breakers” is announced
    • Cal’s been reading a Cannes-related book

Listener Question: “What are your thoughts on “Clean,” and specifically Maggie Cheung?” [Ibbi]
[7:55 – 13:10]

Opening Segment:
 The return of the Red Light District, featuring discussion of “Chaotic Ana,” “Into the Night,” “Safety Not Guaranteed,” “The Search for Bridey Murphy,” “To the Wonder,” and “Youth Without Youth”
[13:15 – 26:45]

Preconception Corner

Reviews of:
  • A Thousand Times Good Night
  • Blue Ruin
  • Honour
  • Tracks

[29:55 – 1:02:25]

Shag, Marry or Kill?
The Watson Factor
The Poupaud Range

Outro Music: Faye Wong, “Dream Person”

Episode 96: Pfists & Trysts [Transcendence; Amazing Spider-Man 2; Labour Day]



Episode 96: Pfists & Trysts

[1:32:16]
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It’s Episode 96 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
 
This week is especially sweet for Pete, as Rebecca Hall features in two very different releases: Wally Pfister’s ambitious Sci-fi project “Transcendence,” and Patrice Leconte’s reserved romantic drama “A Promise.” Despite general dread at the prospect of Jason Reitman’s “Labour Day,” Cal managed to catch it, but did he find something of worth besides an appreciation for Diane Lane’s taste in men? We both saw “The Amazing Spider-Man 2,” of which there are fairly lengthy preconceptions, and elsewhere we discuss some relationship news, an odd piece of casting, and the eclectic competition jury for this year’s Cannes Film Festival. Tune in to find out why Cal is on particularly grumpy form, how many times Pete had to recount the plot of “Transcendence” in order to perfect it, and our potentially epic plans for our upcoming 100th episode!


The Week’s News:

    • Jodie foster marries her female partner
    • George Clooney gets engaged
    • Jessica Chastain cast as Marilyn Monroe
    • A new Dad’s Army film to be made
    • Cannes jury is announced

[4:45 – 16:10]

Preconception Corner

Reviews of:
  • The Amazing Spider-Man 2
  • A Promise
  • Labour Day

[28:05 – 59:15]

Closing Segment: Our take on Wally Pfister’s “Transcendence,” discussing debut screenwriting feats, and cinematographers-turned-directors!

[59:20 – 1:20:40]

Shag, Marry or Kill?
The Watson Factor
The Poupaud Range

Outro Music: The National, “Bloodbuzz Ohio”

Episode 95: The Pullitzer Puzzle [Locke; The Love Punch; Cannes Lineup]



Episode 95: The Pullitzer Puzzle

[1:29:47]
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It’s Episode 95 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
 
This week we welcome Irini M back to the podcast to help us discuss the much-anticipated lineup of this year’s Cannes Film Festival, featuring the upcoming works of David Cronenberg, Mike Leigh, and many more European auteurs, some of which fill us with dread. We’re reviewing the Miranda Otto-led lesbian drama “Reaching for the Moon,” British heist comedy “The Love Punch,” and Tom Hardy’s one-man show “Locke,” which divided the camp in its depiction of drama and geography. Cal’s review of psychological horror film “Magic Magic” gets hijacked by Pete’s rant about a certain Pullitzer Prize winner, while Irini had a bone to pick with him about his “failure to understand” the point of Xavier Dolan’s latest delight. There are predictably many digressions, concerning Mr. Potato Head’s liberal use of his lips, Tom Hardy’s neglect of his razor, and Faye Dunaway’s fear of apostrophes, as well as a shocking Hathaway Protocol. It’s a week of regrets, as Irini’s belief in her own festival foresight lost her a fair bit of cash, while Naomi Watts finally bit the bullet and admitted that “Diana” wasn’t all that. Who knew?


Opening Segment: 
Discussing the recently announced line-up for this year’s Cannes Film Festival, featuring anticipation of films by David Cronenberg, Xavier Dolan, Nuri Bilge Ceylan, and Andrey Zvyagintsev!

[3:50 – 26:55]

Preconception Corner

Reviews of:
  • Reaching for the Moon
  • The Love Punch
  • Magic Magic

[36:00 – 1:00:25]

Closing Segment: Our take on Steven Knight’s “Locke,” and random asides involving Steve McQueen and Faye Dunaway!

[1:00:30 – 1:17:05]

Shag, Marry or Kill?
The Watson Factor
The Poupaud Range

Outro Music: Radiohead, “Jigsaw Falling Into Place”

Episode 84: Race to the Finish [Inside Llewyn Davis; August: Osage County; The Missing Picture]



Episode 84: Race to the Finish

[1:00:00]
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It’s Episode 84 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
 
This week’s episode is our shortest yet, as Pete seized the opportunity to cut the podcast at its knees in the final fleeting minutes. We didn’t quite manage to get it under an hour, but our reviews of starry ensemble drama “August:Osage County” and dour folk-scene tale “Inside Llewyn Davis” are concise enough. We discuss lesser known Oscar-nominated films “The Missing Picture” and “Cutie and the Boxer,” and ponder the Cold War charms of Kenneth Branagh’s “Jack Ryan: Shadow Recruit.” Pete pines for the presence of Lena Endre in one of this week’s movies, while we also chat about the politics behind foreign, animated, and documentary crossover movies, and 2013’s highs in cinematography.


The Week’s News:

    • “Grace of Monaco” to open Cannes Film Festival, but which cut?
    • Lindsay Lohan announces her latest project
    • Alfonso Cuaron wins the Directors Guild Award

[2:25 – 8:15]

Preconception Corner

Reviews of:
  • August: Osage County
  • Jack Ryan: Shadow Recruit
  • Cutie and the Boxer
  • The Missing Picture

[14:50 – 43:30]

Closing Segment: Our take on the Coen brothers’ “Inside Llewyn Davis,” and our favourite fictional musicians on film!

[43:35 – 57:20]

Shag, Marry or Kill?
The Watson Factor
The Poupaud Range

Outro Music: Go West, “King of Wishful Thinking”
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