Tag Archives: cannes 2014

Episode 96: Pfists & Trysts [Transcendence; Amazing Spider-Man 2; Labour Day]



Episode 96: Pfists & Trysts

[1:32:16]
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It’s Episode 96 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
 
This week is especially sweet for Pete, as Rebecca Hall features in two very different releases: Wally Pfister’s ambitious Sci-fi project “Transcendence,” and Patrice Leconte’s reserved romantic drama “A Promise.” Despite general dread at the prospect of Jason Reitman’s “Labour Day,” Cal managed to catch it, but did he find something of worth besides an appreciation for Diane Lane’s taste in men? We both saw “The Amazing Spider-Man 2,” of which there are fairly lengthy preconceptions, and elsewhere we discuss some relationship news, an odd piece of casting, and the eclectic competition jury for this year’s Cannes Film Festival. Tune in to find out why Cal is on particularly grumpy form, how many times Pete had to recount the plot of “Transcendence” in order to perfect it, and our potentially epic plans for our upcoming 100th episode!


The Week’s News:

    • Jodie foster marries her female partner
    • George Clooney gets engaged
    • Jessica Chastain cast as Marilyn Monroe
    • A new Dad’s Army film to be made
    • Cannes jury is announced

[4:45 – 16:10]

Preconception Corner

Reviews of:
  • The Amazing Spider-Man 2
  • A Promise
  • Labour Day

[28:05 – 59:15]

Closing Segment: Our take on Wally Pfister’s “Transcendence,” discussing debut screenwriting feats, and cinematographers-turned-directors!

[59:20 – 1:20:40]

Shag, Marry or Kill?
The Watson Factor
The Poupaud Range

Outro Music: The National, “Bloodbuzz Ohio”
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Episode 95: The Pullitzer Puzzle [Locke; The Love Punch; Cannes Lineup]



Episode 95: The Pullitzer Puzzle

[1:29:47]
You can Listen online
or Download MP3
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It’s Episode 95 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
 
This week we welcome Irini M back to the podcast to help us discuss the much-anticipated lineup of this year’s Cannes Film Festival, featuring the upcoming works of David Cronenberg, Mike Leigh, and many more European auteurs, some of which fill us with dread. We’re reviewing the Miranda Otto-led lesbian drama “Reaching for the Moon,” British heist comedy “The Love Punch,” and Tom Hardy’s one-man show “Locke,” which divided the camp in its depiction of drama and geography. Cal’s review of psychological horror film “Magic Magic” gets hijacked by Pete’s rant about a certain Pullitzer Prize winner, while Irini had a bone to pick with him about his “failure to understand” the point of Xavier Dolan’s latest delight. There are predictably many digressions, concerning Mr. Potato Head’s liberal use of his lips, Tom Hardy’s neglect of his razor, and Faye Dunaway’s fear of apostrophes, as well as a shocking Hathaway Protocol. It’s a week of regrets, as Irini’s belief in her own festival foresight lost her a fair bit of cash, while Naomi Watts finally bit the bullet and admitted that “Diana” wasn’t all that. Who knew?


Opening Segment: 
Discussing the recently announced line-up for this year’s Cannes Film Festival, featuring anticipation of films by David Cronenberg, Xavier Dolan, Nuri Bilge Ceylan, and Andrey Zvyagintsev!

[3:50 – 26:55]

Preconception Corner

Reviews of:
  • Reaching for the Moon
  • The Love Punch
  • Magic Magic

[36:00 – 1:00:25]

Closing Segment: Our take on Steven Knight’s “Locke,” and random asides involving Steve McQueen and Faye Dunaway!

[1:00:30 – 1:17:05]

Shag, Marry or Kill?
The Watson Factor
The Poupaud Range

Outro Music: Radiohead, “Jigsaw Falling Into Place”
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