It’s Episode 133 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week we’re back with a diverse array of films, from the artistic flourish of animated science fiction yarn “Big Hero 6,” to the war-torn meditation of Foreign Language Oscar nominee “Tangerines,” the review of which led to some rather distasteful fruit-based innuendo. Elsewhere, we were both in the queue for the second collaboration between Paul Thomas Anderson and Joaquin Phoenix, the stoner detective tale “Inherent Vice, while Cal’s long-standing perplexity with religion was tested when he sat down to watch Berlin Film Festival runner-up “Stations of the Cross.” Meanwhile, a big news segment sees us discuss the possibility that the French aren’t all that snobby, an unexpected coming out story leads us into a discussion of the 1972 Oscars, Imogen Poots is bested by the unlikeliest of characters, and Pete likens Judy Greer’s association with Jason Reitman to self-flagellation.
- Harper Lee has penned a sequel to “To Kill a Mockingbird”
- The death of Geraldine McEwan
- Joel Grey comes out as gay
- Announcement of an all-female “Ghostbusters” sequel
- Cesar nominations
[2:37 – 15:43]
- Tangerines 20:10 – 28:35
- Inherent Vice 28:36 – 40:58
- Stations of the Cross 40:59 – 53:48
- Big Hero 6 53:49 – 1:02:15
Shag, Marry or Kill?
The Garrett Gauge
It’s Episode 123 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week we’re joined once again by Irini M., who brings us news from her home country’s Thessaloniki Film Festival in a notably more concise fashion than September’s Venice round-up. She also joins in our discussion of some interesting recent events, which includes some rare exciting news involving David O. Russell, and the bizarre spectrum of films vying for this year’s Animated Feature Oscar. We discuss two Foreign Language Oscar contenders, as Paolo Virzi’s “Human Capital” enlivens the middle-class misery of bourgeois Italy and Andrey Zvyagintsev’s “Leviathan” documents the coastal conflicts of rural Russia, before giving ambition a dressing down, as Christopher Nolan’s epic “Interstellar” comes to town. We reveal whether the cinematic influences used in the film are a blessing or curse, and whether Nolan’s scope and logic holds up under scrutiny. Elsewhere, we recount a horror show from Venice which saw Pete become a gay advocate, a mistaken text briefly convinced Cal that his niece was a child genius, while Keira Knightley’s recent quest to boost female self-image has us rather baffled.
- Darren Aronofsky to head the jury at next year’s Berlin Film Festival
- David O. Russell’s long-delayed “Nailed” re-titled as “Love in Politics” and scheduled for release in the UK
- Animated Feature Oscar qualifying list is announced
- European Film Award nominations are announced
[3:05 – 20:55]
[21:00 – 34:45]
- Human Capital
[43:25 – 1:01:30]
Closing Segment: Our take on Christopher Nolan’s space-set epic “Interstellar,” and discussing cine-literate films, with comment on “Allegro,” “Kill Bill,” and “Once Upon a Time in the West”!
[1:01:35 – 1:28:40]
The Isaac Range
Outro Music: Adam and the Ants, “Prince Charming”