Tag Archives: ben stiller

Episode 160: The Back of Black [Everest; The D Train; Solace]

  everest



Episode 160: The Back of Black
[1:17:26]
You can Listen online
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It’s Episode 160 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.


This week there’s a ton of news, as we discuss the possibility of Damian Lewis as James Bond, the decision by Sean Penn to sue Lee Daniels, and the final submissions for the Foreign Language Oscar, which include a surprising move from the French committee, and a nationally-questionable entry from Ireland. The week’s reviews see us tackle the frosty climate and eclectic cast of Baltasar Kormakur’s “Everest,” Cal caught Anthony Hopkins’ clairvoyant antics in “Solace,” while an unforeseen plot device in Jack Black comedy “The D Train” saw us glimpse far more of him than we’d like. Elsewhere, Ryan Adams’ cover of Taylor Swift’s album has Pete enthused, and the week’s array of hunks pleases Cal greatly.

The week’s news: 

  • Sixty years without James Dean
  • Damian Lewis rumoured to be the next James Bond
  • Sean Penn sues Lee Daniels for $10m
  • Foreign Language Oscar deadline ends

[4:45 – 20:40]

Opening Segment: This month’s Red Light District, featuring discussion of “Daisy Kenyon,” “It Follows,” “The Secret Life of Walter Mitty,” “Singles,” “So I Married An Axe Murderer,” and “There’s Always Tomorrow”!

[20:45 – 30:10]

Preconception Corner

Reviews of:

  • The D Train               34:35 – 47:20
  • Solace                         47:21 – 54:04
  • Everest                      54:05 – 1:07:30


Shag, Marry or Kill?
The Pootsition
The Garrett Gauge

Outro Music: The Waterboys, “The Whole of the Moon”

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Episode 142: Age Of Consent [The DUFF; John Wick; While We’re Young]

 johnw

Episode 142: Age Of Consent
[1:34:55]
You can Listen online

It’s Episode 142 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.

We’re back after a two-and-a-half week absence with a packed lineup! As we catch up on the releases from the past fortnight, we’re reviewing five films, including the highly-anticipated new film from Christian Petzold, “Phoenix,” and Keanu Reeves’ foray into the action genre with “John Wick.” Cal reveals all about Noah Baumbach’s latest observation on the middle-classes, “While We’re Young” and Andrew Niccol’s moralistic war drama “Good Kill,” while we finish by talking about teen flick “The DUFF,” which Pete suspected that Cal would like. Elsewhere, in the wake of Thursday’s announcement of the Cannes Film Festival lineup, we assess upcoming films from Gus Van Sant, Paolo Sorrentino, and more, a listener’s rant re-instigates a costuming discussion from our last episode, and a controversial Pootsition flies narrowly close to the age of consent.

Listener question/rant [Ibbi]: Colleen Atwood vs. Sandy Powell 

Cannes Film Festival: We dig into the line-up for this year’s festival, featuring films by Todd Haynes, Gus Van Sant, Jacques Audiard, and Hirokazu Koreeda!
[10:52 – 27:52]

Preconception Corner

Reviews of:

  • Phoenix                                                         34:30 – 46:00
  • While We’re Young                                    46:01 – 52:47
  • John Wick                                                    52:48 – 1:03:12
  • Good Kill                                                      1:03:13 – 1:09:49
  • The DUFF                                                    1:09:50 – 1:23:07


Shag, Marry or Kill?
The Pootsition
The Garrett Gauge

Outro Music: Beyonce feat. Jay-Z, “Drunk In Love”

Episode 80: The Tale of the Two Redheads [American Hustle; Walter Mitty; All Is Lost]



Episode 80: The Tale of the Two Redheads

[1:19:59]
You can Listen online
or Download MP3
(Right click… save as)

It’s Episode 80 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
 
This week’s episode is dominated by Amy Adams, whose plunging necklines in “American Hustle” ruffled Pete’s feathers, but did we both think her strangely-accented performance was up to scratch? After Pete dismantled the plot mechanics of Alfonso Cuaron’s “Gravity,” seaboard adventure “All Is Lost” is the latest solo star vehicle to face the podcast’s scrutiny, while a parody of a certain film in “The Secret Life of Walter Mitty” had us both on the floor. Elsewhere, we discuss the regular topic of the Foreign Language Film Oscar, in the wake of the recently announced shortlist, and reveal films from world cinema that are technically eligible for bigger prizes. We’re giving our brief thoughts on the year in film before our top ten lists are announced next month, plus there are extensive thoughts on the severity of Jennifer Lawrence’s Oscar-tipped performance, and some choice words about Robert Redford’s vanity.


Opening Segment: 
Discussing the nine-film shortlist for the Foreign Language Oscar, general observations about Foreign Films’ troubles with eligibility, and which under-seen films are Oscar eligible this year!

[2:55 – 19:40]

Preconception Corner

Reviews of:
  • All Is Lost
  • The Secret Life of Walter Mitty

[26:15 – 48:15]

Closing Segment: Our take on David O. Russell’s “American Hustle,” discussing 2013 films we’ve been catching up on, and our overall view of the cinematic year!

[48:20 – 1:10:30]

Shag, Marry or Kill?
The Watson Factor
The Poupaud Range

Outro Music: Taylor Swift, “Red”

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