Tag Archives: begin again

Episode 108: Behind the Vicarage [Dawn of the Planet of the Apes; The Films of 1948]


Episode 108: Behind the Vicarage

[1:34:49]
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It’s Episode 108 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
 
With a serious dearth of new releases this week, we’ve decided to go back in time to the cinema of 1948, giving our top tens, favourite performances, and disappointments from the year, which drags out the episode to a typically strenuous length. Meanwhile, there’s a trio of deaths in the film world, and a Franco double bill, which includes nuclear romance “Grand Central” and Fanny Ardant in bourgeois drama “Bright Days Ahead.” Pete’s rundown of the latter of those threatened to be as candid as the film itself, but you’ll have to listen to find out whether its boldness had us weak at the knees, or reaching for the sick bowl.  The week’s big movie is “Dawn of the Planet of Apes,” which neither of us were looking forward to, but which does give us time to ponder Mark Wahlberg’s ascent to leading man status, Gary Oldman’s recent career choices, and the absurdity of internal ape politics. Elsewhere, discover how Frieda Pinto gets the raw end of the deal, why Manohla Dargis is the Queen of the fake allegory, and why what happened behind the vicarage in Sutton Park remains a mystery.

The week’s news: 

  • The death of James Garner
  • The death of Elaine Stritch
  • The death of Tom Rolf
  • “The Imitation Game” will open this year’s London Film Festival
  • “Gone Girl” will open this year’s New York Film Festival

[5:15 – 15:20]

Preconception Corner

Reviews of:
  • Dawn of the Planet of the Apes
  • Bright Days Ahead
  • Grand Central

[23:30 – 52:55]

Closing Segment:Discussing our favourite films and performances from 1948, touching upon films by Alfred Hitchcock, Roberto Rossellini, and John Ford, and performances by Olivia De Havilland, Walter Huston, and Laurence Olivier!

[53:00 – 1:24:45]

Shag, Marry or Kill?
The Olsen Factor
The Isaac Range

Outro Music: Madonna, “Lucky Star”
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Episode 107: The Four Percent Rule [Boyhood; Begin Again; How To Train Your Dragon 2]



Episode 107: The Four Percent Rule

[1:32:12]
You can Listen online
or Download MP3
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It’s Episode 107 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
 
This week we turn our attention to the upcoming Venice Film Festival, discussing the just-announced opening film for 2014, and the recent history of openers at the festival, which include two Steven Spielberg films and a derranged noir effort from Brian DePalma. Change is on the horizon, as the World Cup is over and Pete is now a home owner, but he still couldn’t pluck up the courage to experience Keira Knightley’s vocal tones in John Carney’s “Begin Again,” leaving Cal all alone with some awkward preconceptions about Adam Levine. Meanwhile, we discuss animated Sequel “How to Train Your Dragon 2” and Richard Linklater’s “Boyhood” becomes the longest review on the podcast since… Richard Linklater’s “Before Midnight,” but did our lofty hopes for it get answered? Elsewhere, we talk about our personal experiences of open mic nights, and there’s an epic preconception corner, featuring an infamous slur by John Wayne on Barry Norman, and a major sexual indiscretion by the Maroon 5 front-man concerning everyone’s favourite tennis pro.


Opening Segment: 
Discussing the recent history of opening films at the Venice Film Festival, in the wake of the announcement that Alejandro Gonzalez Inarritu’s “Birdman” will open this year’s event!

[4:00 – 24:50]

Preconception Corner

Reviews of:
  • How to Train Your Dragon 2
  • Begin Again

[39:10 – 1:04:20]

 

Closing Segment: Our lengthy take on Richard Linklater’s “Boyhood,” featuring a small discussion of films founded upon gimmicks!

[1:04:25 – 1:24:10]

Shag, Marry or Kill?
The Olsen Factor
The Isaac Range

Outro Music: Glen Hansard & Marketa Irglova, “When Your Mind’s Made Up”
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