Tag Archives: barbra streisand

Episode 112: Plenty of Fish [Lucy; Two Days, One Night]

Episode 112: Plenty of Fish
[1:23:59]
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It’s Episode 112 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.

This week we’re returning late from a rather heavy Bank Holiday weekend, with reviews of two films featuring mega Hollywood actresses. Luc Besson’s “Lucy” is the latest film in a prolific spell for the delectable Scarlett Johansson, while Marion Cotillard returns to her world cinema roots in the Dardennes brothers’ “Two Days, One Night,” which sees us getting personal about our own ethics. Elsewhere, we discuss the career of Richard Attenborough, some encouraging news for Scandinavian cinema, and Pete reveals his decision-making behind the decoration for his new house, a quarter of which features work by perennial podcast favourite Wong Kar-Wai. The week’s digressions include a brief lament over Amy Adams’ patchy filmography, Faye Dunaway’s destructive diva period, and Andie MacDowell’s bizarre behaviour on Twitter. We talk about the popular Ice Bucket Challenge (which we’re both snubbing), the Naomi Christie accent controversy rumbles on, and the Joe Wright rant of the week features some far from encouraging words for the men of Belgium.

The Week’s News:
  • The death of Richard Attenborough
  • Susanne Bier’s “Serena” to hit UK cinemas in October
  • Pete’s decoration of film stills

[1:35 – 23:40]


Red Light District: This month’s pimping session, featuring discussion of “Coherence,” “Philomena,” “Symptoms,” “Thirteen At Dinner,” and “What’s Up Doc?”

[24:50 – 34:10]

Reviews of:
  • Lucy
  • Two Days, One Night

[39:30 – 1:12:35]

Shag, Marry or Kill?
The Olsen Factor
The Isaac Range

Outro Music: Gossip, “Get a Job”
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Episode 111: The Moribund Monologues [The Congress; Finding Vivian Maier; Blood Ties]


Episode 111: The Moribund Monologues

[1:29:37]
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It’s Episode 111 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.



This week we pay tribute to two legends of the screen, as we discuss our favourite career highlights of Robin Williams and Lauren Bacall. The week’s releases offered few options, but we both managed to catch photographic documentary “Finding Vivian Maier” and Ari Folman’s live action/animation hybrid “The Congress,” which led us to some mighty preconceptions about Robin Wright. Pete saw the latest Simon Pegg comedy “Hector and the Search for Happiness” but only managed to come out of it with appreciation for one woman, while a surprise masculine presence in Guillaume Canet’s “Blood Ties” had Cal rather satisfied. Digressions are aplenty this week, as we take time out from the films to discuss the downfall of Gary Busey, lament Miley Cyrus’s break from acting, and list the problems that arise when normal moviegoers see foreign films. Elsewhere, an unexpected Gorillaz sing-off makes the final edit, recent dread for Daniel Radcliffe’s new film sees it excised from this month’s schedule, while a factual clanger from last week’s episode forces Cal into an apology, much to the amusement of Pete.

The Week’s News:
  • David Ayer’s “Fury” to close London Film Festival
  • The death of Robin Williams
  • The death of Lauren Bacall

[4:45 – 21:00]

Reviews of:
  • Finding Vivian Maier
  • Hector and the Search for Happiness
  • Blood Ties

[32:00 – 1:02:55]

Closing Segment: Discussing Ari Folman’s “The Congress,” the career path of Robin Wright, and revealing our favourite films that are bat-shit crazy!

[1:03:00 – 1:19:30]

Shag, Marry or Kill?
The Olsen Factor
The Isaac Range

Outro Music: A-Ha, “Take On Me”

Episode 106: Cute, Amusing, and Cringe [Tammy; Cycling with Moliere; Cold in July]



Episode 106: Cute, Amusing, and Cringe

[1:22:40]
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It’s Episode 106 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
 
This week we’re splitting the American releases down the middle, with Cal opting for raucous Melissa McCarthy comedy “Tammy,” and Pete settling down for moody thriller “Cold in July.” Cal’s fondness for musicals led him to colourful Aussie flick “Goddess,” featuring the vocal talents of none other than Ronan Keating, while France is represented in our review of “Cycling with Moliere,” which (spoiler!) has very little to do with actual cycling. Elsewhere, our crop of films in this month’s Red Light District features an unconventional biopic and a sports documentary, plus there’s an unexpected rant about “Out of Africa,” and an extremely short discussion of Kelly McGillis’ career. This week’s episode is a badly behaved one, as Pete uncorks the C word within the first half an hour (albeit in a quote), while other bouts of innuendo involve Vinessa Shaw and lucrative webcam placements, and some honest family nostalgia leads to rash likenesses between Melissa McCarthy and canines.

Opening Segment: This month’s Red Light District, in which we “pimp” films we’ve seen in the last month. This month’s crop includes “King & Country,” “Mahler,” “One Night in Turin,” and “They All Laughed”

[4:50 – 21:55]

Preconception Corner

Reviews of:
  • Tammy
  • Cold in July
  • Goddess

[30:15 – 58:10]

 

Closing Segment: Our take on Philippe Le Guay’s “Cycling with Moliere,” starring Fabrice Luchini and Lambert Wilson, and discussing cinematic bromances!

[58:15 – 1:13:15]

Shag, Marry or Kill?
The Olsen Factor
The Isaac Range

Outro Music: Banks, “Goddess”

Episode 40: Lasting Legacies [Oz the Great and Powerful; Side Effects; Parker]


EPISODE 40: Lasting Legacies
[1:18:12]
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It’s Episode 40 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.

But for some football-related rants this week’s episode is surprisingly concise, as we turn our attention towards legacies. As Steven Soderbergh prepares to fold up his chair and retire (we’ll believe it when we see it) after his final film “Side Effects,” we reveal whether we think his pharmaceutical thriller is a worthy swansong, and offer our favourite examples of final films from directors. Sam Raimi is resurrecting L. Frank Baum’s series of Oz books with “Oz the Great and Powerful,” but can this kaleidoscopic 3D adventure even come close to replicating the magic of the original? And will Barbra Streisand’s Razzie-nominated return to acting in “The Guilt Trip” affect her long-standing reputation as a Queen among actresses? We have reviews of Jason Statham vehicle “Parker,” the acclaimed British thriller “Broken,” and Pete’s precious “Robot & Frank,” while we assess the power of Bette Midler’s Oscar-nominated performance in “The Rose” and look ahead to Sofia Coppola’s latest foray into the perils of youth, “The Bling Ring.” Sit back and listen to us bitch!

Opening Segment:  Discussing the trailer for Sofia Coppola’s “The Bling Ring” [suggested by Irini] and Pete’s review of 1979’s “The Rose,” starring Bette Midler [3:45 – 16:55]

*Preconception Corner*

Reviews of: 

  • “Oz the Great and Powerful”
  • “Parker”
  • “Robot & Frank”
  • “Broken”
  • “The Guilt Trip”

[21:30 – 52:00]

Closing Segment: Discussing Stephen Soderbergh’s self-proclaimed ‘final’ film “Side Effects,” and our top three directorial swansongs [52:05 – 1:09:55]

*Shag, Marry or Kill?*

*The Watson Factor*
*The Poupaud Range*

Outro Music: Gloria Estefan, “Go Away”

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