It’s Episode 154 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week’s episode features a lengthy review segment, as we discuss Marvel’s latest superhero introduction, “Ant-Man,” starring a youthful looking Michael Douglas and a buff looking Paul Rudd, and Rupert Goold’s courtroom thriller “True Story,” which prompted objections from Cal concerning its casting. Our latest dip into world cinema saw Cal test out the Spanish period serial killer drama “Marshland,” which made at least a visual impression, while Pete saw the coming of age tale “Les Combattants,” the English translation of which is laughably off-the-mark. Elsewhere, an Oscar-nominated performance from the 90s gets a dressing down, the under-utilized Felicity Jones is the subject of our sympathy, and a French Lesbian director-actor romance is but a chapter in the story of Adele H.
The week’s news:
- Ava DuVernay pulls out of directing Marvel’s Black Panther film
- Sam Mendes to bow out of Bond with “Spectre”
- Carol Burnett to be honoured at the Screen Actors Guild Awards
- The week’s birthdays
[3:10 – 14:00]
- True Story 21:14 – 34:18
- Les Combattants 34:19 – 45:55
- Marshland 45:56 – 55:34
- Ant-Man 55:35 – 1:09:15
Shag, Marry or Kill?
The Garrett Gauge
Outro Music: Taylor Swift, “State of Grace”
It’s Episode 139 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week the Red Light District returns, bringing news of films from the fifties, a World Cinema classic from Scandinavia, and digressions involving Maria Schell, Ava Gardner, and Otto Preminger. We have reviews of the latest Jaume Collet-Serra/Liam Neeson project “Run All Night,” wartime romance “Suite Francaise,” and meditative drama “Still Life,” while one of us was more prepared than the other for the Sapphic shenanigans in Peter Strickland’s “The Duke of Burgundy.” Elsewhere, Pete’s fondness for Sidse Babett Knudsen goes into overdrive, Cal feels guilty for a second consecutive snub of Matthias Schoenaerts, and we’re all about the Arri Alexa.
Red Light District: Pimping the best old films we’ve seen in the past month, featuring discussion of “Gervaise,” “Pelle the Conqueror,” and “The Smallest Show on Earth”
[8:50 – 20:30]
- The Duke of Burgundy 30:45 – 44:54
- Suite Francaise 44:55 – 53:30
- Still Life 53:31 – 1:02:25
- Run All Night 1:02:26 – 1:14:28
Shag, Marry or Kill?
The Garrett Gauge
Episode 64: The Return of Wowface
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It’s Episode 64 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week’s episode sees Pete return from the Venice Film Festival with reviews of Stephen Fears’ “Philomena” and Sion Sono’s “Why Don’t You Play In Hell,” among other work by Miguel Gomes, Kelly Reichardt, and John Curran. We also take time out to discuss reaction on the Lido to Alfonso Cuaron’s “Gravity.” This week’s films see the highly-anticipated release of abstract entanglement drama “Upstream Color,” claustrophobic horror “You’re Next,” and the return of Michael Bay with “Pain & Gain,” which had Cal somewhat worried. As usual we go off on a few tangents, as Pete pimps the beauty of 2004 in film, laments the absence of Nadine Labaki from one of the week’s offerings, and we ponder how Liv Ullman would have fared in “Miss Congeniality.” And then we reveal the exciting news that an underseen long-time podcast favourite may soon be coming to a website near you, but keep that one quiet, won’t you?
The Week’s News, featuring discussion about the death of Sir David Frost, and the casting of “Fifty Shades of Grey”! [2:35 – 6:05]
- Upstream Color (warning: minor spoilers)
- Pain & Gain
- You’re Next
[9:10 – 33:45]
Closing Segment: Pete’s report from the Venice Film Festival, featuring reviews and commentary on “Why Don’t You Play In Hell?” “Tracks,” “Holding Breath,” “Redemption,” “We Are the Best!” “May in the Summer,” “Philomena,” “Night Moves,” and some brief thoughts about “Gravity” [33:50 – 1:18:30]
The Watson Factor
The Poupaud Range
Outro Music: Placebo, “Taste In Men”