In the wake of the Oscar nominations, Cal and Irini are back to discuss the exciting inclusions and dastardly snubs from this year’s crop, dishing our opinions on an unfortunate Amy Adams and a crowded Best Actress race, conceding to the power of Michael Shannon, and generally shaking our heads in disapproval at Mel Gibson. Elsewhere, we each give our top ten films of 2016, which includes those from Korea, Germany, Argentina, and more! Plus there’s a lot of love for Pablo Larrain, and one of Irini’s favourites receives a less-than-enthusiastic response from Cal.
- Our reactions to this year’s nominees!
[1:35 – 21:00]
Top Ten Films of 2016:
- Our favourite films and performances from the year!
[21:05 – 56:55]
Intro Music: Lady Antebellum, “American Honey”
Outro Music: “Drive It Like You Stole It” (From Sing Street)
Episode 114: The Paris Clanger
It’s Episode 114 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week’s episode is a tale of two halves, as Irini M. joins us once again, having spent the past week or so trawling across the lido of Venice. She brings us extensive coverage of the film festival, reviewing most of the competition line-up, and dishing her verdict on (among other things) why Alejandro Gonzalez Inarritu’s “Birdman” left Italy empty-handed, and why Kim Ki-Duk’s filmmaking style is getting rather insufferable. Eventually we get to reviewing new releases, with Nicole Kidman’s new amnesiac thriller “Before I Go To Sleep” leaving us with head-scratching thoughts on the film’s title, and even more perplexing notions about its logic. We’re also on board for the sequel to Nicholas McCarthy’s promising “The Pact,” worryingly left in the hands of new directors, while Cal reviews David Wain’s romantic comedy pastiche “We Came Together,” and we tackle Elmore Leonard adaptation “Life of Crime. Listen for our theories on why Kirsten Dunst won Best Actress at Cannes, which former feline-loving Oscar winner Al Pacino may be slyly mocking, which British singer forces Pete to recoil in horror, and what this week’s Christie clanger has to do with Paris Hilton’s wardrobe.
The Week’s News
Opening Segment: Discussing the prizes awarded at this year’s Venice Film Festival, plus guest Irini M. provides coverage of many other films which played at the festival, including “Birdman,” “3 Hearts,” “Manglehorn,” “Red Amnesia,” and “She’s Funny That Way”
[4:35 – 40:40]
- The Pact II
- Life of Crime
- They Came Together
- Before I Go To Sleep
[47:20 – 1:23:50]
Shag, Marry or Kill?
The Olsen Factor
The Isaac Range
Episode 96: Pfists & Trysts
It’s Episode 96 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week is especially sweet for Pete, as Rebecca Hall features in two very different releases: Wally Pfister’s ambitious Sci-fi project “Transcendence,” and Patrice Leconte’s reserved romantic drama “A Promise.” Despite general dread at the prospect of Jason Reitman’s “Labour Day,” Cal managed to catch it, but did he find something of worth besides an appreciation for Diane Lane’s taste in men? We both saw “The Amazing Spider-Man 2,” of which there are fairly lengthy preconceptions, and elsewhere we discuss some relationship news, an odd piece of casting, and the eclectic competition jury for this year’s Cannes Film Festival. Tune in to find out why Cal is on particularly grumpy form, how many times Pete had to recount the plot of “Transcendence” in order to perfect it, and our potentially epic plans for our upcoming 100th episode!
The Week’s News:
- Jodie foster marries her female partner
- George Clooney gets engaged
- Jessica Chastain cast as Marilyn Monroe
- A new Dad’s Army film to be made
- Cannes jury is announced
[4:45 – 16:10]
- The Amazing Spider-Man 2
- A Promise
- Labour Day
[28:05 – 59:15]
Closing Segment: Our take on Wally Pfister’s “Transcendence,” discussing debut screenwriting feats, and cinematographers-turned-directors!
[59:20 – 1:20:40]
The Poupaud Range
Outro Music: The National, “Bloodbuzz Ohio”
Episode 95: The Pullitzer Puzzle
It’s Episode 95 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week we welcome Irini M back to the podcast to help us discuss the much-anticipated lineup of this year’s Cannes Film Festival, featuring the upcoming works of David Cronenberg, Mike Leigh, and many more European auteurs, some of which fill us with dread. We’re reviewing the Miranda Otto-led lesbian drama “Reaching for the Moon,” British heist comedy “The Love Punch,” and Tom Hardy’s one-man show “Locke,” which divided the camp in its depiction of drama and geography. Cal’s review of psychological horror film “Magic Magic” gets hijacked by Pete’s rant about a certain Pullitzer Prize winner, while Irini had a bone to pick with him about his “failure to understand” the point of Xavier Dolan’s latest delight. There are predictably many digressions, concerning Mr. Potato Head’s liberal use of his lips, Tom Hardy’s neglect of his razor, and Faye Dunaway’s fear of apostrophes, as well as a shocking Hathaway Protocol. It’s a week of regrets, as Irini’s belief in her own festival foresight lost her a fair bit of cash, while Naomi Watts finally bit the bullet and admitted that “Diana” wasn’t all that. Who knew?
Opening Segment: Discussing the recently announced line-up for this year’s Cannes Film Festival, featuring anticipation of films by David Cronenberg, Xavier Dolan, Nuri Bilge Ceylan, and Andrey Zvyagintsev!
[3:50 – 26:55]
- Reaching for the Moon
- The Love Punch
- Magic Magic
[36:00 – 1:00:25]
Closing Segment: Our take on Steven Knight’s “Locke,” and random asides involving Steve McQueen and Faye Dunaway!
[1:00:30 – 1:17:05]
The Poupaud Range
Outro Music: Radiohead, “Jigsaw Falling Into Place”