It’s Episode 114 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week’s episode is a tale of two halves, as Irini M. joins us once again, having spent the past week or so trawling across the lido of Venice. She brings us extensive coverage of the film festival, reviewing most of the competition line-up, and dishing her verdict on (among other things) why Alejandro Gonzalez Inarritu’s “Birdman” left Italy empty-handed, and why Kim Ki-Duk’s filmmaking style is getting rather insufferable. Eventually we get to reviewing new releases, with Nicole Kidman’s new amnesiac thriller “Before I Go To Sleep” leaving us with head-scratching thoughts on the film’s title, and even more perplexing notions about its logic. We’re also on board for the sequel to Nicholas McCarthy’s promising “The Pact,” worryingly left in the hands of new directors, while Cal reviews David Wain’s romantic comedy pastiche “We Came Together,” and we tackle Elmore Leonard adaptation “Life of Crime. Listen for our theories on why Kirsten Dunst won Best Actress at Cannes, which former feline-loving Oscar winner Al Pacino may be slyly mocking, which British singer forces Pete to recoil in horror, and what this week’s Christie clanger has to do with Paris Hilton’s wardrobe.
The Week’s News
Opening Segment: Discussing the prizes awarded at this year’s Venice Film Festival, plus guest Irini M. provides coverage of many other films which played at the festival, including “Birdman,” “3 Hearts,” “Manglehorn,” “Red Amnesia,” and “She’s Funny That Way”
[4:35 – 40:40]
- The Pact II
- Life of Crime
- They Came Together
- Before I Go To Sleep
[47:20 – 1:23:50]
Shag, Marry or Kill?
The Olsen Factor
The Isaac Range
Episode 86: Rue De Simple
It’s Episode 86 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
Pete finally got his wish, as our latest episode sneaks in under the hour mark, with just three films featured this week. Nevertheless, we get into fairly meaty discussions about Claire Denis’s sexually-charged “Bastards” and Terence Nance’s incredibly personal documentary “An Oversimplification Of Her Beauty,” which had both of us rather perplexed. Pete was counting on Spike Jonze’s “Her” to be the saviour of 2013’s cinematic worth, but did either or both of us get past that dead cat phone-sex convo? An odd opening news segment leads to the pimping of an underseen world cinema classic, some rare positive words about Clint Eastwood, and a chat about the spectrum of quality in Hitchcock remakes, while we lament the fall from grace of a famous child actor, discuss the President of France’s bit on the side, and ponder the beastly attributes of a certain French actor.
The Week’s News:
- The death of Gabriel Axel
- Tina Fey and Amy Poehler to host next year’s Golden Globes
- Clint Eastwood is a real-life hero
- Channing Tatum is writing “Magic Mike 2”
- Shia LaBoeuf wears paper bag to premiere of “Nymphomaniac” at Berlin; echoes Eric Cantona
[2:40 – 10:40]
- An Oversimplification Of Her Beauty
[15:25 – 51:15]
The Poupaud Range
Outro Music: Terrorvision, “Perseverance”
Episode 70: Home Truths
It’s Episode 70 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week’s epic episode is our longest yet, as we give our take on two films with radically different approaches to marriage. We found romantic comedy “Baggage Claim” a tad bonkers, but certain members of its Paula Patton-led cast won us over, while we reveal whether Roger Michell’s “Le Weekend” can shrug off its terrible title and avoid becoming another chronicle of an elderly gentleman’s libido. We have reviews of Wikileaks drama “The Fifth Estate” and Kim Ki-Duk’s twisted thriller “Pieta,” before embarking on a lengthy discussion of Oscar highs and lows from years gone by. We take your suggestions, address a listener question regarding this year’s Best Actress race, and tease next week’s report from the London Film Festival. Tune in to find out which film prompted Pete to start juggling marshmallows, which critical faux-pas caused Cal to become appalled, which famous British actress played the flute in Pete’s school orchestra, and how Willem Dafoe’s character poster for “Nymphomaniac” may have us crying out for “Body of Evidence,” despite what Julianne Moore might think.
The Week’s News:
- The Death of Mark ‘Chopper’ Read
- Character posters are released for “Nymphomaniac”
- The first Oscar screeners are sent out (“Mud”; “Stories We Tell”; “The Croods)
- Tina Fey and Amy Poehler will return to host the Golden Globes
- Golden Globe category placements: “Blue Jasmine” goes drama, while “Before Midnight” goes comedy
[1:40 – 14:30]
Listener Question: “Is there ANY WAY Cate Blanchett won’t win the Oscar for “Blue Jasmine”? [Eoin]
[14:40 – 18:55]
- The Fifth Estate
- Baggage Claim
- Le Week-End
[27:05 – 1:09:30]
Closing Segment: Revealing our most loved and loathed Oscar lineups from years gone by, and discussing listener suggestions! With comment on 1937’s Best Actress Lineup and 1955’s list of supporting actresses, plus much more! [1:09:35 – 1:27:55]
The Watson Factor
The Poupaud Range
Outro Music: Javiera Mena, “Luz de Piedra de Luna”