It’s Episode 164 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
We’re back from a two-month absence with a jam-packed podcast, focusing on the big juggernauts of this year’s awards season, as well as the seventh instalment of a certain sci-fi franchise. We tackle Steven Spielberg’s latest moody historical drama “Bridge of Spies,” claustrophobic double-hander “Room,” and Todd Haynes’ lesbian tale “Carol,” which had to hurdle prickly preconceptions from Pete about one of its main stars. We give our verdict on Alejandro Gonzalez Inarritu’s forest-set revenge tale “The Revenant,” Thomas McCarthy’s journalism drama “Spotlight,” and the biggest film of 2015, “The Force Awakens,” while we may have had a few choice words to say about the use of Margot Robbie in fancied finance crisis comedy “The Big Short.” Elsewhere, we predict this year’s Academy Award nominations (happening tomorrow!), we mourn the death of the great David Bowie, there’s a digression on the films of 1988, and a listener question prompts an upheaval of The Pootsition.
Opening Segment: Discussing the film career of musician, actor, and all-around legend David Bowie, who sadly passed away this week
[1:40 – 9:30]
- Star Wars: The Force Awakens 27:40 – 37:24
- Bridge of Spies 37:25 – 45:36
- Carol 45:37 – 51:53
- The Revenant 51:54 – 1:04:14
- Room 1:08:10 – 1:16:41
- The Big Short 1:16:42 – 1:24:12
- Spotlight 1:24:13 – 1:31:46
Closing Segment: Previewing this week’s Academy Award nominations!
[1:31:47 – 1:46:45]
Shag, Marry or Kill?
The Garrett Gauge
Outro Music: David Bowie, “Five Years”
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It’s Episode 114 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week’s episode is a tale of two halves, as Irini M. joins us once again, having spent the past week or so trawling across the lido of Venice. She brings us extensive coverage of the film festival, reviewing most of the competition line-up, and dishing her verdict on (among other things) why Alejandro Gonzalez Inarritu’s “Birdman” left Italy empty-handed, and why Kim Ki-Duk’s filmmaking style is getting rather insufferable. Eventually we get to reviewing new releases, with Nicole Kidman’s new amnesiac thriller “Before I Go To Sleep” leaving us with head-scratching thoughts on the film’s title, and even more perplexing notions about its logic. We’re also on board for the sequel to Nicholas McCarthy’s promising “The Pact,” worryingly left in the hands of new directors, while Cal reviews David Wain’s romantic comedy pastiche “We Came Together,” and we tackle Elmore Leonard adaptation “Life of Crime. Listen for our theories on why Kirsten Dunst won Best Actress at Cannes, which former feline-loving Oscar winner Al Pacino may be slyly mocking, which British singer forces Pete to recoil in horror, and what this week’s Christie clanger has to do with Paris Hilton’s wardrobe.
The Week’s News
Opening Segment: Discussing the prizes awarded at this year’s Venice Film Festival, plus guest Irini M. provides coverage of many other films which played at the festival, including “Birdman,” “3 Hearts,” “Manglehorn,” “Red Amnesia,” and “She’s Funny That Way”
[4:35 – 40:40]
- The Pact II
- Life of Crime
- They Came Together
- Before I Go To Sleep
[47:20 – 1:23:50]
Shag, Marry or Kill?
The Olsen Factor
The Isaac Range