It’s Episode 170 of In the Mood for Podcast!
It’s been four years, but Cal and Pete are finally back together in a bumper two-hour episode that features lots of discussion of the Oscars, and that history-making win for Bong Joon-Ho’s “Parasite”. We reveal our feelings about the film, while Pete gets his statistician head on as we detail some interesting Oscar trends that have emerged in the past decade. Elsewhere, we chat about the length (among many other things) of Martin Scorsese’s “The Irishman,” troubling preconceptions of Renee Zelwegger are tested when we review “Judy,” while we discuss an unexpected best-in-show in “Bombshell”. Five acting nominations between “Marriage Story” and “The Two Popes” get us discussing the worthiness of this year’s crop of nominees, while a snub from times-gone-by sets us off on a digression on the 1990 Best Actor lineup. In other news, Pete finally saw the end of “Wolf of Wall Street,” Cal has a bee in his bonnet about flashbacks, and Pete saves a scathing fast food-related diss until late in the day.
Opening Segment: A quick look back at the last four years, and although Pete’s cinema going has taken a hit, he offers some of his notable watches since we last did an episode together!
[5:00 – 20:23]
Preconception Corner (including a listener question from Ibbi!)
- The Irishman 39:25 – 53:46
- Bombshell 53:47 – 1:04:40
- Judy 1:04:41 – 1:14:02
- Marriage Story 1:14:03 – 1:24:38
- The Two Popes 1:24:39 – 1:31:20
- Parasite 1:31:21 – 1:40:00
Closing Segment: Discussing new Oscar trends since we started the podcast eight years ago, including acting sweeps, picture/director splits, and diversity scandals!
[1:40:01 – 1:55:27]
Shag, Marry or Kill?
The Garrett Gauge
Intro Music: Thin Lizzy, “The Boys are Back in Town”
Outro Music: Marmalade, “Reflections of My Life”
It’s Episode 142 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
We’re back after a two-and-a-half week absence with a packed lineup! As we catch up on the releases from the past fortnight, we’re reviewing five films, including the highly-anticipated new film from Christian Petzold, “Phoenix,” and Keanu Reeves’ foray into the action genre with “John Wick.” Cal reveals all about Noah Baumbach’s latest observation on the middle-classes, “While We’re Young” and Andrew Niccol’s moralistic war drama “Good Kill,” while we finish by talking about teen flick “The DUFF,” which Pete suspected that Cal would like. Elsewhere, in the wake of Thursday’s announcement of the Cannes Film Festival lineup, we assess upcoming films from Gus Van Sant, Paolo Sorrentino, and more, a listener’s rant re-instigates a costuming discussion from our last episode, and a controversial Pootsition flies narrowly close to the age of consent.
Listener question/rant [Ibbi]: Colleen Atwood vs. Sandy Powell
Cannes Film Festival: We dig into the line-up for this year’s festival, featuring films by Todd Haynes, Gus Van Sant, Jacques Audiard, and Hirokazu Koreeda!
[10:52 – 27:52]
- Phoenix 34:30 – 46:00
- While We’re Young 46:01 – 52:47
- John Wick 52:48 – 1:03:12
- Good Kill 1:03:13 – 1:09:49
- The DUFF 1:09:50 – 1:23:07
Shag, Marry or Kill?
The Garrett Gauge
It’s Episode 114 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week’s episode is a tale of two halves, as Irini M. joins us once again, having spent the past week or so trawling across the lido of Venice. She brings us extensive coverage of the film festival, reviewing most of the competition line-up, and dishing her verdict on (among other things) why Alejandro Gonzalez Inarritu’s “Birdman” left Italy empty-handed, and why Kim Ki-Duk’s filmmaking style is getting rather insufferable. Eventually we get to reviewing new releases, with Nicole Kidman’s new amnesiac thriller “Before I Go To Sleep” leaving us with head-scratching thoughts on the film’s title, and even more perplexing notions about its logic. We’re also on board for the sequel to Nicholas McCarthy’s promising “The Pact,” worryingly left in the hands of new directors, while Cal reviews David Wain’s romantic comedy pastiche “We Came Together,” and we tackle Elmore Leonard adaptation “Life of Crime. Listen for our theories on why Kirsten Dunst won Best Actress at Cannes, which former feline-loving Oscar winner Al Pacino may be slyly mocking, which British singer forces Pete to recoil in horror, and what this week’s Christie clanger has to do with Paris Hilton’s wardrobe.
The Week’s News
Opening Segment: Discussing the prizes awarded at this year’s Venice Film Festival, plus guest Irini M. provides coverage of many other films which played at the festival, including “Birdman,” “3 Hearts,” “Manglehorn,” “Red Amnesia,” and “She’s Funny That Way”
[4:35 – 40:40]
- The Pact II
- Life of Crime
- They Came Together
- Before I Go To Sleep
[47:20 – 1:23:50]
Shag, Marry or Kill?
The Olsen Factor
The Isaac Range
Episode 97: Continental Drift
It’s Episode 97 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
Dubbed “Mr. D+” by Pete, Cal hopes for a better run of films this week, as our slate of continent-spanning sober dramas force us to tone things down a little. We review Erik Poppe’s “A Thousand Times Good Night,” starring the ever-exemplary Juliette Binoche, but is the moral-heavy family crisis at the film’s centre worthy of her abilities? It’s been eight months since Pete saw and liked John Curran’s “Tracks” at Venice, but does Cal feel the same way about the Aussie desert quest’s quality? Elsewhere, Pete caught up with Paddy Considine-led British thriller “Honour,” while Cal opted for American indie revenge pic “Blue Ruin,” plus a listener question leads to a slew of digressions about the Cannes Film Festival’s history of politics and prize-giving. Tune in to hear our thoughts on the biggest Oscar snub of the 1980s, which Terrence Malick film receives a radical re-evaluation from Pete, and why a foolish display of canine companionship gets Cal all self-righteous.
The Week’s News:
- The death of Bob Hoskins
- A sequel to “Spring Breakers” is announced
- Cal’s been reading a Cannes-related book
Listener Question: “What are your thoughts on “Clean,” and specifically Maggie Cheung?” [Ibbi]
[7:55 – 13:10]
Opening Segment: The return of the Red Light District, featuring discussion of “Chaotic Ana,” “Into the Night,” “Safety Not Guaranteed,” “The Search for Bridey Murphy,” “To the Wonder,” and “Youth Without Youth”
[13:15 – 26:45]
- A Thousand Times Good Night
- Blue Ruin
[29:55 – 1:02:25]
The Poupaud Range
Outro Music: Faye Wong, “Dream Person”
Episode 59: Car Crashes in Black & White
It’s Episode 59 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
We’re going retro with this week’s podcast, as we discuss the otherworldly prowess of Rita Hayworth in 1946 noir “Gilda,” which Pete caught recently in all of its digitally restored glory. We also discuss two films deliberately harking back to the good old days, with silent fairy-tale “Blancanieves” facing off against Noah Baumbach’s “Manhattan” wannabe, “Frances Ha.” We both snubbed hairly Hugh Jackman in “The Wolverine,” Pete opting for French biographical drama “Renoir” and Cal badly in need of light relief in the form of “The Internship.” We take time out to discuss the lineup of this year’s Venice Film Festival, which Pete will be attending, while Cal is perturbed by the loss of a super comedic actress. Listen for digressions involving Miley Cyrus, Rose Byrne’s portrayal of blindness, and a distasteful slur on Greta Gerwig which caused Cal to label Pete “below the belt.”
Opening Segment: The week’s news, featuring three major deaths in the world of sport, TV, and film, and discussing this year’s Venice Film Festival lineup, featuring work from Stephen Frears, Terry Gilliam, and Kelly Reichardt! [1:30 – 17:20]
- The Internship
- Gilda (re-release)
[26:20 – 1:04:50]
Closing Segment: Our take on Noah Baumbach’s “Frances Ha,” Shag Marry or Kill, and discussing director/actor partnerships between real life partners! [1:04:55 – 1:19:25]
*The Watson Factor*
*The Poupaud Range*
Outro Music: Mika, “Grace Kelly”