It’s Episode 136 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
Despite Pete’s efforts toward the contrary, this week’s episode is our longest yet, as we dig into our year-end awards, disclosing more than a little about our favourite films and performances. We also react to this past Sunday’s Academy Awards, measuring “Birdman” up against the Best Picture winners of the past and speculating about how its leading man couldn’t also sail to victory. The week’s reviews include time travel thriller “Predestination,” starring podcast favourite Ethan Hawke, Jennifer Aniston’s failed Oscar bid, “Cake,” and Michael Mann’s latest procedural drama “Blackhat,” which one of us walked out on. Meanwhile, Anna Kendrick is – quite literally – a vision, there’s an appearance from Gloria Gaynor, and Pete has an abrupt apology for one of last week’s performers after omitting her from The Pootsition.
- Kristin Stewart makes history with Cesar win
- Birdman wins the Best Picture Oscar (+ other reaction)
[4:00 – 20:53]
- Blackhat 28:10 – 38:48
- Predestination 38:49 – 46:55
- Cake 46:56 – 1:00:26
Closing Segment: Revealing our top ten films of 2014, and discussing our favourite performances (in quite a bit of depth)!
[1:00:27 – 1:4]
Shag, Marry or Kill?
The Garrett Gauge
Episode 128: ‘Tis the Season to be Juli
It’s Episode 128 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
It’s our last episode of 2014 so we take the opportunity to celebrate the best films we’ve reviewed on the podcast this year, and our favourite performances, which includes a surprising Supporting Actress win from Pete. This week’s reviews include the Biblical epic “Exodus: Gods and Kings” and Angelina Jolie’s audacious survival tale “Unbroken,” while Pete caught Jimi Hendrix biopic “Jimi: All Is By My Side.” We discuss fradulent artist drama “Big Eyes,” starring Amy Adams, while we assess Julianne Moore’s bid for a long overdue Oscar in heavy-going Alzheimer’s tale “Still Alice.” Elsewhere, the death of the last remaining acting Oscar winner from the 1930s resurrects a common complaint, we scrutinize this year’s Foreign Language Oscar race some more, there’s a Razzie-level performance in one of this week’s films, and the podcast is interrupted by the children and dogs in Cal’s packed household.
- The death of Luise Rainer
- Tim Burton and Helena Bonham Carter split up
- Foreign Language Oscar Shortlist is revealed
[2:35 – 16:40]
- Big Eyes
- Exodus: Gods and Kings
- Jimi: All Is By My Side
- Still Alice
[24:25 – 1:11:40]
Closing Segment: Discussing our favourite films and performances reviewed on the podcast in 2014!
[1:11:45 – 1:17:55]
The Isaac Range
Outro Music: Baha Men, “Who Let the Dogs Out?”
Episode 104: Miscarriages of Justice
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It’s Episode 104 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
Irini M. returns this week to help us discuss our favourite films and performances from 2014 so far, leading to a disagreement about Wes Anderson, yet more discussion of Xavier Dolan, and a fierce defence of a podcast fantasy favourite. The week’s reviews see us flirt with both familiarity and contempt, as Cedric Klapisch’s trilogy-capping “Chinese Puzzle” was finally released in the UK, while not all of us were happy about the Venice trophy haul of Greek family drama “Miss Violence.” We tackle cancer flick “The Fault In Our Stars,” Cal goes it alone for Clint Eastwood’s foray into the musical genre, “Jersey Boys,” while the latest batch of non-sporting news calls for a Desplat love-in, and a discussion of everyone’s favourite Hong Kong auteur. Pete continues to liken the faults of World Cinema to Roy Hodgson’s World Cup tactics, a listener question provokes a passionate defence of Greek patriotism from Irini, and a controversial pitch for a new Jennifer Lopez rom-com provides an early FYC for next year’s compilation.
The week’s news:
- Alexandre Desplat announced as the President of the jury at this year’s Venice Film Festival
- Wong Kar-Wai’s new film is on the way
- Gerry Conlon, subject of the film “In the Name of the Father,” dies aged 60
[2:30 – 14:45]
Listener Questions from Ibbi
[14:50 – 20:35]
- The Fault In Our Stars
- Chinese Puzzle
- Miss Violence
- Jersey Boys
[33:45 – 1:14:00]
Closing Segment: 2014’s mid-year awards, in which we discuss our favourite and least favourite films and performances from the year so far!
[1:14:05 – 1:35:35]
The Isaac Range
Outro Music: Alexandre Desplat, “Depart Pour La Guerre” (from “The Well Digger’s Daughter”)
Episode 96: Pfists & Trysts
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It’s Episode 96 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week is especially sweet for Pete, as Rebecca Hall features in two very different releases: Wally Pfister’s ambitious Sci-fi project “Transcendence,” and Patrice Leconte’s reserved romantic drama “A Promise.” Despite general dread at the prospect of Jason Reitman’s “Labour Day,” Cal managed to catch it, but did he find something of worth besides an appreciation for Diane Lane’s taste in men? We both saw “The Amazing Spider-Man 2,” of which there are fairly lengthy preconceptions, and elsewhere we discuss some relationship news, an odd piece of casting, and the eclectic competition jury for this year’s Cannes Film Festival. Tune in to find out why Cal is on particularly grumpy form, how many times Pete had to recount the plot of “Transcendence” in order to perfect it, and our potentially epic plans for our upcoming 100th episode!
The Week’s News:
- Jodie foster marries her female partner
- George Clooney gets engaged
- Jessica Chastain cast as Marilyn Monroe
- A new Dad’s Army film to be made
- Cannes jury is announced
[4:45 – 16:10]
- The Amazing Spider-Man 2
- A Promise
- Labour Day
[28:05 – 59:15]
Closing Segment: Our take on Wally Pfister’s “Transcendence,” discussing debut screenwriting feats, and cinematographers-turned-directors!
[59:20 – 1:20:40]
The Poupaud Range
Outro Music: The National, “Bloodbuzz Ohio”