It’s Episode 151 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
As 2015 races on, we’re joined this week by Irini M. to talk about our highlights from the year so far, plus she gives us a recap of her latest successful film viewings in a special edition of the Red Light District. Reviews this week include Roy Andersson’s quirky Golden Lion winner, “A Pigeon Sat on a Branch Reflecting on Existence,” Mauritanian drama “Timbuktu,” while Cal dishes all on the latest Nicholas Sparks adaptation “The Longest Ride,” paying particular attention to Scott Eastwood. Elsewhere, we sat down for Peter Bogdanovich’s latest screwball emulation “She’s Funny That Way,” and Pete caught the Despicable Me spin-off “Minions,” which it’s fair to say tested his patience. Tune in for an unexpected tirade against Mickey Rooney’s longevity, some love dramas concerning the Stratten family, and the occasional jibe about Greece’s disastrous financial situation.
The week’s news
Red Light District: Irini “pimps” the many films she’s seen lately, featuring discussion of “Ana and the Wolves,” “Gett: The Trial of Vivian Amsalem,” “The Invisible Man,” “Lifeboat,” “Spring,” and much more!
[8:35 – 24:53]
- The Longest Ride 33:20 – 43:52
- Minions 44:53 – 49:44
- A Pigeon Sat… 49:45 – 58:15
- Timbuktu 58:16 – 1:02:07
- She’s Funny That Way 1:02:08 – 1:12:49
Halfway through 2015: Discussing our favourite films and performances from the year so far!
[1:12:50 – 1:26:58]
Shag, Marry or Kill?
The Garrett Gauge
Outro Music: Black Eyed Peas, “Meet Me Halfway”
Episode 114: The Paris Clanger
(Right click… save as)
It’s Episode 114 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.
This week’s episode is a tale of two halves, as Irini M. joins us once again, having spent the past week or so trawling across the lido of Venice. She brings us extensive coverage of the film festival, reviewing most of the competition line-up, and dishing her verdict on (among other things) why Alejandro Gonzalez Inarritu’s “Birdman” left Italy empty-handed, and why Kim Ki-Duk’s filmmaking style is getting rather insufferable. Eventually we get to reviewing new releases, with Nicole Kidman’s new amnesiac thriller “Before I Go To Sleep” leaving us with head-scratching thoughts on the film’s title, and even more perplexing notions about its logic. We’re also on board for the sequel to Nicholas McCarthy’s promising “The Pact,” worryingly left in the hands of new directors, while Cal reviews David Wain’s romantic comedy pastiche “We Came Together,” and we tackle Elmore Leonard adaptation “Life of Crime. Listen for our theories on why Kirsten Dunst won Best Actress at Cannes, which former feline-loving Oscar winner Al Pacino may be slyly mocking, which British singer forces Pete to recoil in horror, and what this week’s Christie clanger has to do with Paris Hilton’s wardrobe.
The Week’s News
Opening Segment: Discussing the prizes awarded at this year’s Venice Film Festival, plus guest Irini M. provides coverage of many other films which played at the festival, including “Birdman,” “3 Hearts,” “Manglehorn,” “Red Amnesia,” and “She’s Funny That Way”
[4:35 – 40:40]
- The Pact II
- Life of Crime
- They Came Together
- Before I Go To Sleep
[47:20 – 1:23:50]
Shag, Marry or Kill?
The Olsen Factor
The Isaac Range