Category Archives: Shia LaBoeuf

Episode 122: The Lake Malfunction [Mr. Turner; Nightcrawler; The Films of 1987]

Episode 122: The Lake Malfunction
[1:28:46]
You can Listen online

It’s Episode 122 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog.


This week we’re going retro again, as the Red Light District is back for its monthly outing, bringing news of an amibitious take on spirituality and a French poison-pen mystery, while a BAFTA-winning Maggie Smith performance and a glorious turn by Anne Bancroft turn the discussion to the year of 1987, in which we discuss the qualities of Holly Hunter, Olympia Dukakis, Jack Nicholson, and more! Current releases reviewed include the much-delayed “Charlie Countryman,” Polish surgery procedural “Bogowie,” and Dan Gilroy’s “Nightcrawler,” which had Seydoux repercussions for Jake Gyllenhaal. After that, attention is drawn to the painterly attributes of Mike Leigh’s “Mr. Turner,” but did either of us respond to the grunts and thrusts of Cannes Best Actor winner Timothy Spall? We engage in a brief hum-a-long of the film’s score, before taking the opportunity to discuss our favourite flicks based on the lives of artists, which includes talk of a Ken Russell biopic, a Tarkovsky epic, and a rare moment of non-objectification afforded to Emmanuelle Beart. There’s time to bitch about the running times of recent films in the wake of next week’s near three-hour “Interstellar,” while there are some rare kind words about Shia LaBoeuf, and an Adidas tracksuit unexpectedly provides a retrospective Huston Problem. Elsewhere, one of this week’s performers is unfavourably compared to Danny DeVito, the appeal of Mads Mikkelsen’s blondeness is swiftly dismissed by Cal, and the very thought of Lake Bell causes Pete to malfunction.

The Week’s News:
  • British Independent Film Award nominations are announced

[2:25 – 9:20]

Opening Segment: This month’s Red Light District, featuring discussion of films by Darren Aronofsky, Jack Clayton, Henri-Georges Clouzot, and David Hugh Jones, plus an overview of the films of 1987!

[9:25 – 25:05]

Preconception Corner

Reviews of:

  • Charlie Countryman
  • Nightcrawler
  • Bogowie (Gods)

[29:55 – 53:00]

Closing Segment: Our take on Mike Leigh’s biographical drama “Mr. Turner,” and discussing films based on the lives of artists!

[53:05 – 1:10:45]

Shag, Marry or Kill?
The Olsen Factor
The Isaac Range

Outro Music: Kate Bush, “The Painter’s Link”
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Episode 15: That’s My Tolstoy! [Anna Karenina; Lawless; That’s My Boy]




EPISODE 15: That’s My Tolstoy!

[1:20:38]
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It’s Episode 15 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog. We’re sticking with last week’s freer structure, admitting our filmic peeves before laying the smackdown on some new releases. In theory, that should be easy this week, with Adam Sandler releasing a new movie, but will our review of “That’s My Boy” play out quite as expected? The lone foreign language offering is “The Forgiveness of Blood,” Joshua Marston’s long-awaited sophomore effort, while the core genre material is out in force, with sci-fi represented by spiritual space-tale “Love” and John Hillcoat’s latest western “Lawless.” Unsurprisingly, the most contentious topic of the week is Joe Wright’s “Anna Karenina,” which has been likely to ruffle feathers in the Sheppard household for some time. Will this experimental adaptation of a classic novel gain our seal of approval?


Discussed on the podcast: 

Opening Segment: Discussing the week’s news: Venice announces its festival winners, Toronto commences, and the full trailer of “The Master” is released. [1:40 – 16:05]

Preconception Corner

Reviews of: 

  • “Lawless”
  • “That’s My Boy”
  • “Love”
  • “The Forgiveness of Blood”

[16:10 – 53:50]

Closing Segment: Discussing “Anna Karenina,” our summation of the week in film, and responding to listener questions.

[53:55 – 1:15:40]


Intro Music: Etta James, “At Last”
Outro Music: Shirley Bassey, “The Performance Of My Life”

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